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MUSIC REVIEW OF DOSTI

By Satyajit - Eye TV India Bureau

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They lived, laughed and lied ….together in the name and game of friendship. So, the male bonding in scintillating colors comes with youthful 'Dosti'. Since the lukewarm cloudburst of 'Barsaat' is over, get ready for rainbow of friendship this season with 'Dosti'. Suneel Darshan's never ending "feel good factor" continues to rule in his production house with this star studded bonanza. Darshan's tryst with melodramatic flavors comes out with a bunch of A-list actors in 'Dosti' with tagline "friends forever". Darshan's hot favorites - Aksahy Kumar and Bobby Deol -play the leading roles with the charming sensations of Kareena Kapoor and Lara Dutta. The film is the story about an odd pair - Karan (Bobby Deol) and Raj (Akshay Kumar) with different shades and persona. The pairing of Akshay and Bobby in Anil Sharma's 'Ab Tumhare Hawale Watan Saathiyon' fetched average success despite Amitabh Bachchan's fabulous performance. Akshay sailed through slapstick entertainer 'Garam Masala' and is awaiting the release of 'Mere Jeevan Saathi' and 'Family' this year. Bobby has torrid year with flops like 'Tango Charlie', 'Jurm' and 'Barsaat' to his credit. After 'Talaash', Akshay is paired opposite Kareena Kapoor while Bobby is placed against Lara after 'Jurm'. Darshan's old war horses - lyricist Sameer and music directors Nadeem Shravan (NS) - compile lovable soundtracks for them after the musical success of 'Barsaat'. It's Shree Krishna International presentation with musical soundtracks on Shree Krishna Audio. 'Dosti' has seven original soundtracks that deliver the cultural touch with loads of "feel good celebration".

Side A has three original soundtracks with happy-go- lucky "Dulhania" being the best. Soft, tender and titillating instrumental music welcomes the spirit of eternal friendship in the title soundtrack "Yeh Dosti". The decade- old formula of "Yeh Dosti Hum Nahi Chhodenge" ('Sholay') or "Dharam Veer Ki Jodi" ('Dharam Veer') makes its presence in this year's soundtrack. Contemporary singers like Sonu Nigam and Udit Narayan sing this above average song in the traditional Bollywood style. In an era of glossy hip-shaking cool numbers it's boring to hear something stale and outdated like this. It seems that Naddem-Shravan has revived the era of 70's and 80's with lyricist Sameer disappointing completely. After hearing the title track of 'Barsaat' this disappoints despite the fact that singers deliver the needful. The song describes the bond of friendship with predicted phrases, verses, and words singing for each other's adulation. So, nothing new about it, but if you are ready for anything old in new bottle then this is the right stuff. A big yawn and bigger let down!

Nadeem Shravan punches their finest soundtrack with frolicking "sagaai" (engagement) celebration in "Dulhaniya". The "feel good" touch with pulsating and foot thumping music sets the mood and pace for this joyous soundtrack. Kunal Ganjawala strikes gold in this chorus track that has the able support of Abhijeet and Alka Yagnik. The "ooh-aah" touch of Kunal is missing but the singer entertains in this different style and shines the best. The song has been choreographed on all the four leading actors - Aksahy Kumar, Bobby Deol, Lara Dutta and Kareena Kapoor in lavish set-up. The song has been used for the promotion of the film and will be creating enough buzz for the viewers.

It's "qawaali" time with loads of pathos, anguish, suffering and feeling of resentment of a lover in "Ishq Na Ishq Ho". The eight-minute long soundtrack has been rendered by throated vocals of Sukhwinder Singh with the support of Kailash Kher. It's loud and painful as it unravels through the suffering and agony of a lover with fine lyrics by Sameer. It sounds similar to "Dulhe ka Sehra" ('Dhadkan') with a different feel.

Side B has four original soundtracks with sentimental "Aisa Koi Zindagi Mein" being the highlight. Disco night fever, flashing light, hip-shaking bodies and pulsating foot tapping music comes out with full zest and ardor in "Let's boogie woogie". If you are party animal then this is for you with punch of "It's time to disco" ('Kal Ho Na Ho'). Kunal Ganjawala is all geared up with his raucous voice with svelte vocals of Vasundhra Das. The additional peppy and frenzy hip-hop are rendered by Earl. It's impressive but Nadeem-Shravan has fallen into the shadows of young music composers. The soundtrack sounded more like that of Salim-Sulaiman or Pritam composed number. "Oh Mahiya" ('Kaal') echoed as the background with slender and soft music in the sentimental soundtrack "Aisa Koi Zindagi Mein". It's refreshing with fresh whiff of air with Abhijeet along with Alka Yagnik's. Sameer's lyrics blossom for the first time in the album with "Aisa Koi Zindagi Mein Aaya Jo Zindagi ko Zindagi Banaye". It reminds of Nadeem-Shravan's latest melody "Pyar Aaya" ('Barsaat'). This time it's senior composer plagiarizing the younger lot with "Oh Mahiya" sounding high and low in the backdrop. Melodramatic flavors are back with glimpses of the background score of 'Barsaat' and 'Andaaz' as Sonu Nigam with Alka Yagnik sing "Aur Tum Aaye". It's conventional Darshan-NS compilation with a similar set of musical instrumentation. The soundtracks like these had been hot favorites in 90's when NS ruled the charts. It's purely situational and sounds like one of the tracks from the composer's last collections.

The album concludes with "Shaadi" (marriage) celebrations with regular "naach-gaana" in the soundtrack "Yaar Di Shaadi". Sonu Nigam, Abhijeet, Alka Yagnik and Sarika Kapoor sing this pompous joyous number. It's vibrant, gleaming, and radiant with all ingredients required for a marriage song. Sonu Nigam and Alka Yagnik sound more prominent despite heavy instrumentation and loud chorus.

Nadeem-Shravan's music disappoints completely in this much-hyped album with saleable star cast. If the music duo proclaimed 'Barsaat' as their finest work then this album stands no chance if compared to the former. No single soundtrack can be expected to hit chartbusters with more than three to four film albums hitting marquee every week. The promising box office fare of the film can appreciate its audio sales otherwise it's a low key affair. A big let down!

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